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TIME: Almanac of the 20th Century
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TIME, Almanac of the 20th Century.ISO
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1930
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30shotel
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1994-02-27
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<text>
<title>
(1930s) Grand Hotel
</title>
<history>
TIME--The Weekly Newsmagazine--1930s Highlights
Theater
</history>
<article>
<source>Time Magazine</source>
<hdr>
Grand Hotel
</hdr>
<body>
<p>(November 24, 1930)
</p>
<p> About once a season comes a play so superlative as this.
People have been going to see Grand Hotel for some time in Max
Reinhardt's Berlin theatre, elsewhere in Europe. It was written
by Vicki Baum, staged, directed and produced (with Harry Moses)
in Manhattan by Herman Shumlin. It is difficult to imagine a
better translation than that which William A. Drake has made.
Originally titled Menschen Im Hotel (People in a Hotel), the
play manages to grasp a large chunk of existence, thrust it into
a Berlin hostelry, expose it completely. It would be easy to
demonstrate how Lust, Greed, Despair, Fear, Bravery are pursued
throughout 36 hours in the life of a hotel and become Love,
Disgrace, Hope, Birth, Death. But that would be doing precisely
what Playwright Baum has, with consummate taste and brilliant
use of understatement, avoided.
</p>
<p> The entire performance comes off with a precision and
smartness that result from a most fortunate collaboration of
casting, direction, staging, acting. A revolving stage
facilitates the presentation of the 18 scenes. The smoothness
with which each episode blends into the whole drama may be
attributed to Director Shumlin. As the fleshy manufacturer,
bluffing his way through a merger, Siegfried Rumann is
convincingly brutal. He looks and performs not unlike Emil
Jannings. He was an officer in the German army during the War,
was wounded, acted in The Channel; Road, has sung in Manhattan
beer halls for a living. The stenographer is played by Hortense
Alden (Lysistrata), an ingratiating person with an attractive,
chirrupy voice. Eugenie Leontovich, a beautiful lady who came
to the U.S. from Russia to dance, turns in an extraordinary
piece of acting as the danseuse, making instantly credible a
swift series of emotions and setting a new high for plausible
stage love scenes. All of these people should be made by this
show.</p>
</body>
</article>
</text>